Pottery at Fukui, Japan

When we traveled to Echizen, Japan in 1978 we went to Fukui and were warmly welcomed by Zeikan Hatekeyama-san and his wife. This is just one of his beautiful pots fired in the kiln shown here. Hatekeyama-san maintained that when pots came out of the firing they were extremely dry so he soaked his in a drain for six months so that they would absorb some moisture and enliven the colours. I am sure that pots do improve as they adjust to atmospheric moisture.

Raindrops

Raindrops a pretty things as long as you don't have too many all at once.

The Last of Autumn

Before we forget how beautiful our autumn colours were this year here are two photos of trees taken recently. The birds are already eating the persimmons and the frosts have started with ice on my pond the last two mornings.

Unusual Colours

The cylinder is one of Estelle's showing some carbon trap purple which we did obtain occasionally. More unusual is the white edging shown on my hexagonal jar. This is considered very special in Japan. The jar was made using a combination of slab building and thrown elements. Tricky to make but lots of fun.

Two More Pots By Fukudenji Sensei.

These two pots by Fukudenji Sensei show the unusual murasaki, or purple, colour which we could only achieve on a few occasions. These were on pots stacked close to the fire where embers built up over them and only slowly burned away. Trouble was that in this area pots often got broken with the wood spreading too far sideways when we stoked. Anagama kilns can produce wonderful colours but not without risk.

Musashi-gama, Hyogo, Japan.

These pots were made by Fukudenji Daiei Sensei at his Musashi-gama in Himeji Japan. The white markings were made by soaking fishing net in white slip and placing over the piece before firing. The second photograph was taken at an Ikenobo Ikebana exhibition in Kyoto showing how this pot was used by a Master of Ikebana. We never heard what happened but Fukudenji Sensei was, at the time (1982), building a kiln in Versailles, France, which was also to be called Musashi-gama.

Slab Building

When we were in Japan we saw no slab building techniques that were anything like those that I had developed. These salt herring pots that we saw at Aizu Hongo were the closest but were assembled using wooden formers to hold the sides together during the joining process. The slab bottle shapes we saw were press molded in two parts and then joined along the diagonal edges as was this lovely little bottle we bought in Mashiko.