Decorated Wall Bottle

This wall bottle made by Estelle was found on TradeMe and returned to me. It is from our earlier glazed wares and shows Estelle's abilities as a decorator using different glaze colours. When the Japanese master potter was with us he was very impressed as this type of painting was taught in earlier times in schools in Japan. He actually presented Estelle with a very old Japanese book of paintings which were unbelievably similar.

Golden Tainui

This lovely Native plant we planted when we first moved to this house. It was lovely for a number of years but finally died and we have been unable to replace it. The nurseries here certainly do not have any seedlings.

Mizusashi from Little Anagama

This pot with the title "Among the Hills" was fired in the small Kamaka Anagama. The firing was about four and a half days long - I cannot remember how much wood we used. The little kiln was very successful but not very economic as it did not hold enough work to make the effort required worthwhile.

Front View of Small Anagama

This is a view of the fire-box end of the small Kamaka Anagama. The foot pedal for the fire-mouth cover is on the right and the one for the side stoking is towards the back of the kiln on the left. It was not difficult to load as all the grating bricks were easily removable so that we could stand in the ash pit and lean forward to load the pots. Next posting I will put on an image of a pot fired in this kiln.

Small Anagama

These are the plans for our small anagama which we used from 1991 through to 2001. It was not really economical to fire as it only held between 80 and 100 pots but still took four and a half days to build up good colour. We used it mainly to re-fire pots from the large anagama that were lacking in maturity and an extra thirty-six hours firing made all the difference to their colour and finish. It was arranged so that, by having foot operated door opening devices, it was able to be fired by one person.

Autumn Birch Tree

The autumn colours in my garden are getting brighter and brighter. I love spring with its blossoms and fresh new leaves but autumn with its clear calm days and lovely colours takes a lot to surpass

Fujii Sensei

The pot shown on my last post was made by Mr Sanyo Fujii and fired in his anagama. We met Fujii Sensei in 1978 and it was from him we obtained the plans for building the Kamaka anagama. In 1983 Fujii Sensei came and lived and worked with us in New Zealand For seven months. The pots he made and fired with us and a selection of ours were shown at a joint exhibition held at the Mitsukoshi Gallery and Fine Art in Osaka in 1984.